6.29.2010
another beautiful sentence
6.11.2010
5.17.2010
i have been reading emily dickinson's master letters, here are some of my favorite parts
be—myself—(He) I don’t know how
it was done—He built the
heart in me—By and by
it outgrew me—
----
I cannot (talk) ↑ stay ↓ any (more) ↑ longer ↓
tonight ↑ (now) ↓ for this pain
----
I’ve got a cough as
big as a thimble—but
I don’t care for that—
I’ve got a Tomahawk
in my side but that
don’t hurt me much,
(If you) Her Master—
stabs her more—
---
never minding (whatever)
so long wandering , ↑ if (out) ↓
to him at last—
Oh how the sailor strains,
when his boat is
filling—Oh how the
dying tug, till the angel
comes
3.01.2010
email auto-fill mishap
11.17.2009
the secret
i tried sending him a photograph but he mistook me for a shed.
is there a human under that pile? certainly not!
i am like a human that has arms but with a face torn off by a dog
but look, my heart beats outside my chest, it beats like a heart.
i have been a quiet ball of hair and teeth since before birth, i was born.
has there been a human born with no bones, or with a shovel for a face?
i am only slightly human and i give up.
11.16.2009
postcards from new life
After Many Seasons at the Asylum, She Climbed Into the Arms of The Universe
This is the last you will hear of my adventures in this new world, dear. As I write I am climbing into the blossomy tree in the courtyard, against the Good Doctor’s instructions. The Good Doctor is calling:come down this instant but I am climbing higher, leaping branch to branch, breaking more teeth than I have. I dangle! I perch! I feed myself bloated on the plumpest leaves, blackest berries, most delicate petals, paperskin stained with fruitblood. I scrape back bark from limb, branch, twig, with barehanded grace. Sunbleached words dry and curl, flake underpen like snow as seasons change around me (did I mention it is the tallest tree known to woman?), but I shall continue until I’ve whittled myself back to earth. Once my nails have unbloodied and resurrected themselves, once these sentences have turned to soil, I will finally understand: I am here.
10.30.2009
what are people being for halloween?
please don't say balloon boy. i'm going to go as blogger. i would really like it if you would tell me what you are going to be in the comments section of this post. omg, also, send me pictures at kcregina@gmail.com and i'll do a halloween post on monday!10.05.2009
9.28.2009
micro-sculptures by willard wegan
what in the world.
9.13.2009
my grandpa
7.13.2009
6.29.2009
6.15.2009
6.06.2009
the arrival
6.03.2009
5.20.2009
claire donato
5.10.2009
4.24.2009
katherine regina
4.04.2009
trailer for "i am in the air right now"
I Am In the Air Right Now from Greg Lytle on Vimeo.
3.04.2009
"unless you're doing a character voice, ball, there's gonna be a beatdown"
2.25.2009
2.24.2009
1.14.2009
they should call it a derek whiteout
1.12.2009
1.08.2009
longtime boyfriend peter dinklage
12.12.2008
last night
i was worried that marrying both packs would be like adultery or polygamy, but the clergyman performing the ceremony said it was okay as long as they were both trident.
"sometimes you got to have a different flavor!" he said.
they were berry and mint.
11.20.2008
thank you mike jauchen for helping me find tokihiro sato




Sato exposes the film in the camera to light over a long duration. While the camera is in this mode, Sato tranverses the space being photographed with a small flashlight and mirror. Because of the slow exposure and his quicker movements, he himself does not appear on the film. Using the mirror to direct the thin streams of light, the artist highlights specific elements of a space's architecture. The process illustrates the invisible element of space using illumination as a type of drawing tool. The result is a construction of light captured on film.
















